All photographers learn to enjoy light. These upright elephant ears (some form of alocasia) are so beautifully backlit they would be interesting even without the patterned raindrops and veining and the anole’s shadow.
But I’m not complaining about the photobombing anole. I like the spreading toes (I’m scared of snakes, so lizard toes are always a reassurance) and it interests me how our minds interpret height from the strength of the shadow. We know the head is raised because the shadow is softer – it’s a three dimensional shadow, not a flat one.
This green anole lizard was benefiting from the vision and hard work of Jesse Yancy, a literary gentleman who has raised a garden / wildlife haven on land around the edge of a small, concrete car park that he does not own in Belhaven, Mississippi. Continue reading “Anole In The Limelight”
This is an outtake from yesterday’s Chalky Pastel Flowers post. Not because it forgot its words or slipped on something, I hasten to add – I decided that it didn’t help my contention. It was too maroon.
Although the band and thin stripes decorating these scalloped bells would have qualified as chalky, and the flowers do pale to a lovely antique pink as they age, there’s more to this story. The ribbed buds, the debonaire green flower ‘caps’, the purple stems and tinges on the foliage, the long bell shape with its parabolic edge… if somebody told me one of these flowers had won a Nobel Prize for something and asked me to guess which one, I’d have no hesitation in pointing to the campanula. Continue reading “Campanula takesimana ‘Elizabeth’”