The Friendly Friday prompt is The Colour Pink. If you come here often, you’ll know I never need much of an excuse to bring out the roses. So here goes! Continue reading “Even More Pink Roses”
I loved these petals with their soft, complimentary colours and mix of light and shade. I took the picture at Farmer’s Branch, Texas a couple of years ago and know that someone is going to ask me which rose it is, which gives me a problem. The form reminds me of Rosa ‘Lady Emma Hamilton’, and the colour of Rosa ‘Jubilee Celebration’, but I believe it’s Rosa ‘Lady Of Shalott’, which was looking so good during our visit that I later persuaded my sweetheart to plant one in his garden. Continue reading “Sheeny Petals”
An English Rose that pretty much has it all. The flowers are huge, fragrant, and very distinctive because of their deeply cupped flower form, although you can’t really appreciate the depth of the bloom from this angle. The colour is classic rose pink. It’s a shrubby type of rose, but fairly compact, with stems sturdy enough to bear the weight of the flowers. Continue reading “Rosa ‘Princess Alexandra Of Kent’”
Whatever our feelings about Saint Valentine’s Day, it’s hard to ignore. We all know we should let our sweethearts know that we love them all year round, even when they are walking mud into the house, let’s say, or leaving jam on the fridge door.
For those of us who find it hard to express our affection every day, Valentine’s Day can be a good thing. For those of us who get a sweet little extra something we appreciate, it’s a good thing. For people who sell cards, chocolates, flowers and meals, it’s definitely a good thing.
I’ve never been wildly keen on the day, perhaps due to several embarrassments it has occasioned. Continue reading “Valentine’s Day Roses And Embarassments”
HeyJude is running a photo challenge during 2020 on her Travel Words blog designed to get us thinking about the techniques of taking pictures. You can find out the details and monthly topics here. January’s topic is Composition and Framing. These crops are inspired by some of Jude’s instructions – I’ve added them in italics, so you know the intention.
Clearly identify your subject. Not as easy as it might seem. The rose is my main interest, but the setting is worthy of attention too (around an oval opening on the curved outside fence of Diarmuid Gavin’s garden at RHS Harlow Carr), so I was slightly torn, wanting to give a glimpse of the inside.
It was an overcast summer evening. The curve of the wall and habit of the rose meant shooting into the light, creating a bright glare. The original picture has a few more inches of haze at the top, and bright light always draws the eye away from the subject. I’ve removed some of it with the effect that the crop is neither landscape, portrait or square. I like to keep the traditional proportions if I can, but throwing aside the rules and cropping any way the subject demands is often the difference between a poor picture and a decent one.
Move in closer to your subject, but not too close. While the flowers in the first picture were blobs, more of their character comes out here. Continue reading “Pink Climbing Rose: An Exercise”