“There is something quite special about white roses… they are all purity and light.” – David Austin
I’m sharing pictures of white shrub roses and rambling roses in eager anticipation of the peak flowering season for roses which is a couple of weeks or so away in my part of the world. As my sweetheart would say, bring it on! Meanwhile, I’ll let the roses do their own talking.
Some English Roses are unique in colour and this is one of them. An unusual colour brings challenges describing it. Rosa ‘Summer Song’ used to be ‘a sophisticated shade of orange’, or ‘burnt orange’, but in checking, I note its breeder is now plumping for ‘orange red’.
HeyJude is running a photo challenge during 2020 on her Travel Words blog designed to get us thinking about the techniques of taking pictures. You can find out the details and monthly topics here. January’s topic is Composition and Framing. These crops are inspired by some of Jude’s instructions – I’ve added them in italics, so you know the intention.
Clearly identify your subject. Not as easy as it might seem. The rose is my main interest, but the setting is worthy of attention too (around an oval opening on the curved outside fence of Diarmuid Gavin’s garden at RHS Harlow Carr), so I was slightly torn, wanting to give a glimpse of the inside.
It was an overcast summer evening. The curve of the wall and habit of the rose meant shooting into the light, creating a bright glare. The original picture has a few more inches of haze at the top, and bright light always draws the eye away from the subject. I’ve removed some of it with the effect that the crop is neither landscape, portrait or square. I like to keep the traditional proportions if I can, but throwing aside the rules and cropping any way the subject demands is often the difference between a poor picture and a decent one.