I do like this picture, although it has as many accidental elements as purposeful ones: layers, patterns, textural contrasts and red herrings.
Although I lined the sculpture up reasonably well with the r/h edge of the frame, the reflections make it look all catawampus. That doesn’t just allow me to use the word my sweetheart taught me (we would say ‘skew whiff’) but it also makes the picture seem more abstract. That seems fitting.
I tried cropping closer, but prefer the picture with the distractions in. They have an unsettling effect and they provide context for a bronze sculpture that has St Ives in its name.
I suspect the reflections of the houses humanise the bronze more than if the clean lines of a gallery were behind it. The sculpture seems to gaze out, watchfully or wistfully.
A’net by Brenda Jet was one of the installations we were able to get up close and personal with during our stay at Broomhill Art Hotel and Sculpture Garden in Muddiford, North Devon. The garden is a naturalistic one that runs alongside a stream, through a meadow and in the woodland of a steep-sided valley.
Clowns helter skelter after each other in what, we sense, ought to be an ordered line, but just isn’t. Embodied verbs, they pose, plunge, stumble, balance, strut, slip, bow and clamber, one or other body part defying gravity in that frozen moment to anchor the whole. Straight backs lend them dignity even as they take risks and cavort. We’re in the whimsical world of flamework glass artist, Hans Godo Fräbel, as seen at the Naples Botanical Garden, Florida, earlier this year.Continue reading “Reflections on Glass: Fräbel in the Garden”
At Chimneyville Arts Festival in Jackson last year, one stand was a Shakespearean comedy, full of colour, reverie, laughter and life. Was it just in my imagination that Falstaff, Feste, Caliban and The Man In The Moon cavorted with felt acrobats, goofy-looking puppets, elves, Pod people, birds, bees and bugs?
A 8ft meteor has fallen to earth, coming to rest in a garden. The impact has blackened the fencing, scorched vegetation and reduced trees and shrubs to charred branches.
The path is miraculously unscathed: not quite so old as the meteor, it has been made from a Caledonian boulder formed millions of years ago. Smaller boulders lie around, giving the floor added dimension and creating a lovely backdrop for the silhouettes of low growing plants and twisted embers of wood.
The dark planting scheme glows red hot in places: the chocolate-red cosmos and orange-red helenium firing up the green and pewter foliage, the burnt wood and the futuristic lilacs. This is the Elements Mystique Garden from RHS Hampton Court Flower Show 2018, but the setting would not be out of place in an episode of The Twilight Zone. Continue reading “RHS Hampton Court Flower Show’s Twilight Zone”