I’m in the process of refreshing my blog’s theme. If you usually visit me via The Reader, all’s well – you’ll not notice any difference.
Regular readers who read directly on my site or sometimes pop over to see what’s going on (thanks for that!) might notice a few changes, especially as I’m still tinkering and moving things round.
Some parts will be a little better and some, no doubt slightly worse, but WordPress users will know that’s pretty much how things go. All themes are compromises and we just have to be happy we can change them if we want… assuming we can remember how, which is something entirely different!
Hopefully, everything will settle down in a day or two.
Wish me luck!
If you’re here to see roses, there are lots on my site. Use this link.
Whatever our feelings about Saint Valentine’s Day, it’s hard to ignore. We all know we should let our sweethearts know that we love them all year round, even when they are walking mud into the house, let’s say, or leaving jam on the fridge door.
For those of us who find it hard to express our affection every day, Valentine’s Day can be a good thing. For those of us who get a sweet little extra something we appreciate, it’s a good thing. For people who sell cards, chocolates, flowers and meals, it’s definitely a good thing.
HeyJude is running a photo challenge during 2020 on her Travel Words blog designed to get us thinking about the techniques of taking pictures. You can find out the details and monthly topics here. January’s topic is Composition and Framing. These crops are inspired by some of Jude’s instructions – I’ve added them in italics, so you know the intention.
Clearly identify your subject. Not as easy as it might seem. The rose is my main interest, but the setting is worthy of attention too (around an oval opening on the curved outside fence of Diarmuid Gavin’s garden at RHS Harlow Carr), so I was slightly torn, wanting to give a glimpse of the inside.
It was an overcast summer evening. The curve of the wall and habit of the rose meant shooting into the light, creating a bright glare. The original picture has a few more inches of haze at the top, and bright light always draws the eye away from the subject. I’ve removed some of it with the effect that the crop is neither landscape, portrait or square. I like to keep the traditional proportions if I can, but throwing aside the rules and cropping any way the subject demands is often the difference between a poor picture and a decent one.
Becky at The Life Of B is hosting a new challenge throughout January with the topic of light, or any word ending in light. The main picture has to be square. I don’t find it easy to crop square, unless the picture was originally taken that way (relatively few are), but it’s good to be challenged.
So why this picture? Well, the roses are the lightest shade of pink; the flowers seem like tiny satellite* dishes, catching and reflecting sunlight, and I’m claiming they make a delightful sight.
My sweetheart uses the term ‘mannerly climber’ to describe a rose that will climb rather than swamp any structure provided for it by human carers: if the rose produces a succession of elegant, petal-packed rosettes, that’s so much more courteous of it. Rosa ‘Bathsheba’ is a fine example of a mannerly climbing rose.
Pictures rarely tell the full tale of any plant, particularly not a rose. We miss out on the fragrance (strong, flowery myrrh, since you ask) and find it hard to judge the size of the flowers. These are large ones, with a hint of a button eye that becomes Bathsheba very well.