A 8ft meteor has fallen to earth, coming to rest in a garden. The impact has blackened the fencing, scorched vegetation and reduced trees and shrubs to charred branches.
The path is miraculously unscathed: not quite so old as the meteor, it has been made from a Caledonian boulder formed millions of years ago. Smaller boulders lie around, giving the floor added dimension and creating a lovely backdrop for the silhouettes of low growing plants and twisted embers of wood.
The dark planting scheme glows red hot in places: the chocolate-red cosmos and orange-red helenium firing up the green and pewter foliage, the burnt wood and the futuristic lilacs. This is the Elements Mystique Garden from RHS Hampton Court Flower Show 2018, but the setting would not be out of place in an episode of The Twilight Zone.
At first glance, I didn’t pick up the designer’s beauty in chaos theme or the meteor concept. What immediately struck me was the heavenly stone path, which I only later learned had been made from one large boulder, cut into thick slithers. That’s my idea of luxury hardscaping!
Pebbles, black mondo grass and succulents filled the cracks between each organic shaped slab. The succulents gave me pause – I loved the effect, but surely sempervirens will mush underfoot, rather than release aroma and bounce back as a thyme or a chamomile lawn would? Does that matter? After all, this is a fantasy garden; a concept garden.
People who requires the ‘i’s to be dotted and the ‘t’s to be crossed when it comes to an idea are on shaky ground here. If the garden was the BBC’s Bodyguard series, fans would be falling over each other in the comments underneath online reviews or on Twitter to point out plot holes and to spot hidden references in plant names such as ‘Black Lace’, ’Black Negligee’ and ‘The Pearl’.
Lingering to read about the concept behind the garden, I pressed my sweetheart to tell me what he made of it. He observed that the corten orb was out of scale for the plot (he switches into busy, practical mode the moment he sets foot in a flower show); it was not solid like a real meteor and there was no impact crater.
He’s right, of course. I could add plot holes of my own, but if I’m pretending something is a meteor that isn’t a meteor, the lack of a crater is just something else to suspend disbelief over.
And if I’m accepting that some plants have survived such an impact at close quarters, they might just as well be Cosmos atrosanguineus, Verbena bonariensis, Perovskia ‘Blue Spire’ or sempervirens as something a bit harder to kill or flatten, like English ivy.
I go to flower shows to enjoy seeing different plant combinations and techniques. Unlike the judges, I’m not looking for perfection.
I want to be delighted by something and to be made to think about what I see. I want to marvel, exclaim, explore and admire. I value the gardens that stay with me after the flood of impressions and ideas has receded, something I’ll smile about and reference back to later.
Thought provoking details included the cedar screening, blackened by the Japanese technique of shou sugi ban, a way to preserve wood by charring it with fire, creating a scaly, carbonised layer. Charred wood is difficult to rekindle, less hospitable to pests, more rot and water resistant, and, ironically, resists sun damage. Unlike paint, it can last for many decades, weathering to a softer colour.
The corten steel orb sculpture had a bench inside, so doubled as a gazebo. I didn’t get chance to sit inside and look out, so can only imagine how those geometric lines would have framed the view.
In a year when B&Q’s mass plantings of a retro style begonia won the critical acclaim, I’m bucking the trend. Count me (not for the first time) on the side of something more individual. Artisan cut stone. A sculpted gazebo. Textural foliage in shades of green, pewter, copper and black.
As I left, still puzzling about the scorching and the flowers, in a flash, I twigged something. The metal orb wasn’t a meteor, but a spaceship disguised as a meteor. It didn’t crash to Earth, it landed.
Official planting list for the Elements Mystique Garden:
Actaea simplex ‘Atropurpurea’
Actaea simplex ‘Black Negligee’
Achillea ‘The Pearl’
Dahlia ‘Bishop of Llandaff’
Deschampsia cespitosa ‘Goldtau’
Helenium ‘Moerheim Beauty’
Hylotelephium ‘Jose Aubergine’
Ophiopogon planiscapus ‘Nigrescens’
Perovskia atriplicifolia ‘Blue Spire’
Sambucus nigra ‘Black Lace’
Credits and links
Elements Mystique Garden, designed by Lawrence Roberts, built and sponsored by Elements Garden Design, was awarded a Silver Gilt medal at the RHS Hampton Court Palace Flower Show 2018. It was inspired by the corten steel orb by sculptor William Roobrouck.