Kristian Reay was named Young Designer of the Year at last year’s RHS Tatton Park Flower Show for his gold medal winning Phytosanctuary Garden.
The Mediterranean themed garden had lots of flowers and scents, with a magnificent copper swing seat as a focal point. Round seats and bean bags offered more space for relaxing (or queuing for the swing?) on a curved area of wooden decking.
Kristian’s planting was a dreamy mix of English and French lavender, Achillea, Gaura, Agapanthus, Verbena, Erigeron, Artemisia, Echinacea, Allium, Nepeta, Kniphofia and Hemerocallis beneath one multi-stemmed Italian olive tree.
This is an outtake from yesterday’s Chalky Pastel Flowers post. Not because it forgot its words or slipped on something, I hasten to add – I decided that it didn’t help my contention. It was too maroon.
Although the band and thin stripes decorating these scalloped bells would have qualified as chalky, and the flowers do pale to a lovely antique pink as they age, there’s more to this story. The ribbed buds, the debonaire green flower ‘caps’, the purple stems and tinges on the foliage, the long bell shape with its parabolic edge… if somebody told me one of these flowers had won a Nobel Prize for something and asked me to guess which one, I’d have no hesitation in pointing to the campanula. Continue reading “Campanula takesimana ‘Elizabeth’”
It’s just my personal taste, but while white flowers such as this double hollyhock entrance me, I’m rarely convinced by white borders. I take in the overall effect, think “Ooh! A classic white border. Perhaps it will be better at its peak?”, then move on.
If you’re the kind of person who smiles to see plants growing in cracks in (someone else’s) walls and pavements, puzzles over vines emerging from nowhere and loves the summer weeks when Buddleias with masses of arching, lilac-like flowers cling on to ‘seemingly every derelict building‘, this one’s for you.
I spoke to Roy Lancaster (a lovely fellow) at the Chelsea Flower Show years ago. Identifying me as a fellow Lancastrian by my accent, he told me how a local quarry’s unusual and diverse range of plants were brought to light when a schoolchild took a bunch of flowers to school for a nature project.
An abandoned area of disturbed land where people rarely tread is as good a home, if you happen to be a rare orchid, as anywhere else. Nature doesn’t have any concept of location, location, location – or at least not in the human way, where a house is worth ten times more in one place than in another.
Plants flower where the seeds happen to fall, if they can. We’ve all seen a tangling of nature and building debris like this: we just don’t expect to see it faithfully recreated and offered up for our consideration at a flower show. Eds Higgins’ Finding [urban] Nature garden (hereafter, the F[u]N garden, following the designer’s styling) imagined a brownfield community garden as part of the RHS Young Designer Competition. Continue reading “Finding [urban] Nature | RHS Tatton Park’s F[u]N Garden”
I’m happy that my own path so often takes me past flowers and into gardens. These well trodden paths were part of Bruntwood’s witty, eco-friendly installation at the Tatton Park Flower Show. This thoughtful, quirky space made great use of recycled material. I loved the kissing gate, bike park and the unstuffy board room. Continue reading “The Bruntwood Field Office at the Tatton Park Flower Show”
At first glance, this might seem like quite a normal shed. Yes, there’s a tree growing out of the roof: I’ll give you that. And the fine collection of antique tools does seem to be overspilling in a surprisingly orderly fashion – it’s regimented, even, as if it were intended to be there. And is that just decking, or could it be the wooden floor of the shed, laid around the ground on the outside?
The Outside-In Shed was part of the Garden Hideaway section of the Tatton Park Flower Show. Talking to the designer, Carolin, we learned that a few days earlier it had been a brand new shed, and had been specially distressed for the show. Her term was ‘shabbyed’.
The garden was a 21st century designer’s version of the 17th century poets’ conceit. As The Poetry Foundation puts it:
a poetic conceit is an often unconventional, logically complex, or surprising metaphor whose delights are more intellectual than sensual.
Except that when plants are involved, you’re never that far away from the sensual. The twist was that the inside of the shed had been turned into “a peaceful garden made as a retreat from busy gardening”, to use Carolin’s words.
Peering inside, curious visitors found a hideaway of a different kind from that they might have been expecting: a wooden chair underneath the tree, surrounded by a miniature woodland garden of shade-tolerant plants. Variegated hosta, ferns, thick green moss, foxgloves, alchemilla mollis and carex oshimensis ‘Evergold’’ carpeted the floor, while a musky scented rambling rose, Rosa ‘Snow Goose’ had begun to climb up a trellis fastened to the wall. On another trellis, a young Trachelospermum jasminoides (star jasmine) added its sweet, heady scent to the mix. Continue reading “RHS Tatton Park Flower Show: The Outside-In Shed”