These oversized tree earrings (well, what would you call them?) are a wonderful way to capture and reflect light in a shady area. We found them just hanging around at the Sir Harold Hillier Gardens during last year’s Art In The Garden Exhibition. Continue reading
Burgundy canna leaves and the bright green crocosmia provide an interesting contrast to the lilac phlox, particularly as the sun is highlighting the leaves. In the background, arching polygonatum leaves are interspersed with a few heart-shaped hosta leaves. This is an example of companion planting for sequential flowers at the Sir Harold Hillier Gardens in Romsey, England.
These two souls are my contribution to this week’s photo challenge. What could be more local than a relationship?
The artist, Simon Jago, is also a professional set designer with a mastery of the most essential tool in a sculptor’s toolbox – space. The sculpture seems to tell a slightly different story from every angle. It would have been interesting to walk all around it, but the setting didn’t invite that. Luckily the artist is showing the opposite view on his website.
The wall that divides these two figures is slender but sturdy – part physical, part metaphorical. He has placed a steadying foot on the blue floor/plinth that is structurally linked to hers. Their body language mirrors each other: the barrier of his left side reflects the barrier of her right; each downcast head obliquely angled in counterpoise to the other.
It’s funny how tempting it is to judge, even faced with a sculpture. There’s a lesson in that. Who is to blame? What should they do? Is there even a problem? As the artist asks, why do they look so alone? Continue reading