When I first started gardening, it was in a garden that was so big, it seemed to eat up plants. The broad expanses of clay soil, hospitable enough with plenty of leaf mould and grit dug in, were insatiable. Had this been a boarding house for plants, a jaunty ‘Vacancies’ sign would have been permanently on display.
I could order a whole box of bare roots, at considerable cost, but they seemed to melt away in the garden’s expanse. Three would go here, and three more there; a choice plant by the gate so you were bound to appreciate it; a few more in the main borders and underneath the canopies of trees, but the box was soon, sadly, emptied and the garden seemed virtually as open as it had been before.
Luckily I like propagating – splitting plants, growing from seed – so that was OK. But I developed the habit of not liking annuals. Annuals were a waste. Mere temporary fixes. Their gap of land would still be a gap in a year’s time – in five years or twenty – if ‘real’ plants were not put there instead. Continue reading “Weekly Photo Challenge: Temporary Plants”
Many people know sempervivum as houseleek, or hen and chicks, which celebrates the plantlets produced as offsets. It is monocarpic which means the original rosette-like plant will reach flowering size after several years’ growth, then after flowering once, will shrivel and die, being succeeded by its chicks of various ages and any seedlings.
Sempervivum ‘Lady Kelly’ seems to be a rare form. The place where I saw it (Beth Chatto’s nursery) didn’t have any for sale and when I searched for one to buy online, I couldn’t find any source, let alone an equally reputable one.*
Until I had chance to travel through the Southern States of America, I didn’t much care for succulents. Gradually they’re been growing on me – not literally – though I could see these aeoniums being worn as cute little hats to Ascot or Chelsea Flower Show Press Day.
The UK’s Royal National Rose Society (RNRS), which was dedicated to preserving a wide variety of roses for future generations, has gone into administration. Its rose garden, home to over 5,000 varieties including hybrid teas, climbers, ramblers and shrub roses, was due to re-open for June-July but will remain closed to visitors for the foreseeable future. The society’s long heritage dates back to 1876, making it the oldest specialist plant society in the world, but in recent years it had struggled to recruit new members. Continue reading “Plant Heritage At Risk As Rose Society Enters Administration”
We travelled to Seattle last May to see this unusual garden at its peak, when the perennials were in bloom. The underplanting feels as if an artist has laid out the plants by magic, with the sweep of a brush.
I’ve been meaning to share this picture of the HUG (the Healing Urban Garden) designed by Rae Wilkinson for the Hampton Court Flower Show. The garden looks much more open viewed from the front, but from this angle, it’s easier to see the style of the planting, which is densely packed and surprisingly linear. That’s the part of the garden that fascinates me.
It’s an interesting, textural effect, reminding me of the rows commonly used in crop gardens, such as cutting gardens or kitchen gardens. I wonder if for some people, the sense of order and rhythm underpinning the design makes it more relaxing? If asked beforehand, I’d have said I preferred plants to mingle together naturally, but something in my pattern-loving nature responds to the technique, especially as it’s not rigidly applied.
The plants included lots of aromatic perennials and healing herbs, such as lavender, artemisia, thyme, stachys, rosemary, salvia, allium, eryngium and nepeta. The calming, subtle colour palette of silver, blue and green was lifted by purple, the bronzy foliage of head-high, multi-stemmed trees and lavender, the latter carried through to the walls and accessories. Continue reading “The Healing Urban Garden”