HeyJude is running a photo challenge during 2020 on her Travel Words blog designed to get us thinking about the techniques of taking pictures. You can find out the details and monthly topics here. January’s topic is Composition and Framing. These crops are inspired by some of Jude’s instructions – I’ve added them in italics, so you know the intention.
Clearly identify your subject. Not as easy as it might seem. The rose is my main interest, but the setting is worthy of attention too (around an oval opening on the curved outside fence of Diarmuid Gavin’s garden at RHS Harlow Carr), so I was slightly torn, wanting to give a glimpse of the inside.
It was an overcast summer evening. The curve of the wall and habit of the rose meant shooting into the light, creating a bright glare. The original picture has a few more inches of haze at the top, and bright light always draws the eye away from the subject. I’ve removed some of it with the effect that the crop is neither landscape, portrait or square. I like to keep the traditional proportions if I can, but throwing aside the rules and cropping any way the subject demands is often the difference between a poor picture and a decent one.
The northernmost of the Royal Horticultural Society’s gardens, Harlow Carr, has so much to see that most repeat visitors must feel torn about where to go first. Not me – the Alpine House draws me in like a magnet. It’s show time there, whatever stage of the year. The gardeners tend a stock of plants behind the scenes, picking out tiny treasures when they are at, or around, their best for their turn in the Alpine house spotlight. This week our treats included several primulas, some flowering so madly that their leaves were hidden, others wearing their leaves with pride.
Some of the plants in the Alpine greenhouse are inside because they need protection from cold, wind or rain; others would grow outside just fine. Common species plants are treated as carefully as rare or special cultivars, all raised up on broad, sweeping benches so we can admire them at close quarters. Plants are grown in traditional clay pots, sunk into a mixture of sand and sharp grit to help keep the roots cool and stop them drying out too quickly. Continue reading “From The Alpine House at Harlow Carr Gardens: Ten Tiny Treasures”
The last few days, we’ve had enough rain to kickstart the process of re-greening the North of England’s meadows, and I started to feel a little celebration of sunshine might not go amiss. Isn’t that the way it always is?
My first is a decidedly strange (for me) shot of roses growing overhead – so high, they ruled out the little dead-heading needed for a conventional shot. At the time I took it, I was half-imagining some form of caption in the top left: a concise one like Dog Days or Wine & Roses. As the end result captures more of their spirit than I expected, I’m leaving it alone. For now. Continue reading “Sunlight Attack II”
We set off for Harrogate on a whim, inspired by the weather forecast, and booked into a hotel within walking distance from the RHS’s most northerly garden, Harlow Carr, a favourite haunt. The idea was to wake up next morning to find an artistic covering of snow or a hard frost – the added winter garden ingredients only nature can provide.
The forecast had been an exaggeration but, luckily, it turns out that a winter wonderland doesn’t need snow: it can cloak itself just as wonderfully in reds, oranges, browns and greens.
We were too early to see the thousands of snowdrops, cyclamen, irises and eranthis hyemalis that will be at their peak in February and March. A small number of the advance guard could be spotted in flower in the woods, along the Winter Walk or sheltered in the glasshouse, giving a hint of the pleasure to come. But if you find yourself wondering whether a winter garden really has anything much of interest to offer in January, other than peace, you’ll find plant after plant lining up as if to say: ‘You misjudged me. You doubted there would be colour.’