Sculpting With Wool: Debie Deaton, Mixed Media Artist

Bird, bug and goldfish made from felt
Crow, bug, goldfish and tealfish wool art waiting for new homes

At Chimneyville Arts Festival in Jackson last year, one stand was a Shakespearean comedy, full of colour, reverie, laughter and life. Was it just in my imagination that Falstaff, Feste, Caliban and The Man In The Moon cavorted with felt acrobats, goofy-looking puppets, elves, Pod people, birds, bees and bugs?

A lady dressed in a bright jacket sat quietly by the stand, rising to greet visitors with a Duchenne smile. This was Debie Deaton, a member of the Craftsmen’s Guild of Mississippi. Continue reading “Sculpting With Wool: Debie Deaton, Mixed Media Artist”

Fragile

Tombstone in the woods with Fragile inscribed on it

Visitors who walk through the woodland at Ian Hamilton Finlay’s old home, Little Sparta, in Scotland, happen upon a mossy tombstone placed at an angle between the ferns. Like many of Little Sparta’s artworks – paths, blocks, even beehives – it bears an inscription.  Continue reading “Fragile”

Life In Clay: Mixed Media Artist, Harold W. Miller

Wind figure by Harold W Miller

I’m a fan of Harold Miller, a contemporary sculptor, who works in mixed media with a focus on clay and ceramics. His largest works are staged on 3D surrounds that have more in common with a theatre set than a traditional frame. Heads and figures, often embellished with tin or jewellery, emerge from textural backgrounds made from clay, stone and/or beautifully stained driftwood.

These two smaller figures show Harold’s technique and storytelling ability. The figures look self-contained, but their silence is lyrical. The man above is one in a series of wind figures wearing stylised, windswept cloaks. It’s almost impossible for the viewer not to imagine the story of his life, as if the clay could have its own history.

Woman by Harold W Miller

But when I first saw Harold’s work exhibited at Chimneyville Crafts Festival, it was this lady, captured in prayer, that I admired most. Her slim frame seems vulnerable and she is rapt in her faith. Though she is made of clay, she overflows with humanity. I can’t tell you her story, but I seem to feel the strength of her heart.

Continue reading “Life In Clay: Mixed Media Artist, Harold W. Miller”

J. W. Waterhouse’s Hylas and the Nymphs: A Modern Debate

The Manchester Art Gallery recently removed what is probably their best-loved painting ‘to prompt conversation’. The story of Hylas and the Nymphs dates back to the Ancient Greeks and Romans and has come down to us in a variety of tellings which means the story can be interpreted more than one way. I like J.W. Waterhouse’s painting of the subject and was sorry to learn it had been taken from view.

Controversy was intensified by this Guardian interview with the curator Claire Gannaway which included the quote:

“We think it probably will return, yes, but hopefully contextualised quite differently. It is not just about that one painting, it is the whole context of the gallery.”

By the time my sweetheart and I called in to the gallery earlier this week, the picture had been replaced, now above a sea of post-it notes.

People looking at a Pre-Raphaelite painting with post-it messages

Continue reading “J. W. Waterhouse’s Hylas and the Nymphs: A Modern Debate”