A 8ft meteor has fallen to earth, coming to rest in a garden. The impact has blackened the fencing, scorched vegetation and reduced trees and shrubs to charred branches.
The path is miraculously unscathed: not quite so old as the meteor, it has been made from a Caledonian boulder formed millions of years ago. Smaller boulders lie around, giving the floor added dimension and creating a lovely backdrop for the silhouettes of low growing plants and twisted embers of wood.
The dark planting scheme glows red hot in places: the chocolate-red cosmos and orange-red helenium firing up the green and pewter foliage, the burnt wood and the futuristic lilacs. This is the Elements Mystique Garden from RHS Hampton Court Flower Show 2018, but the setting would not be out of place in an episode of The Twilight Zone. Continue reading “RHS Hampton Court Flower Show’s Twilight Zone”
If you’re the kind of person who smiles to see plants growing in cracks in (someone else’s) walls and pavements, puzzles over vines emerging from nowhere and loves the summer weeks when Buddleias with masses of arching, lilac-like flowers cling on to ‘seemingly every derelict building‘, this one’s for you.
I spoke to Roy Lancaster (a lovely fellow) at the Chelsea Flower Show years ago. Identifying me as a fellow Lancastrian by my accent, he told me how a local quarry’s unusual and diverse range of plants were brought to light when a schoolchild took a bunch of flowers to school for a nature project.
An abandoned area of disturbed land where people rarely tread is as good a home, if you happen to be a rare orchid, as anywhere else. Nature doesn’t have any concept of location, location, location – or at least not in the human way, where a house is worth ten times more in one place than in another.
Plants flower where the seeds happen to fall, if they can. We’ve all seen a tangling of nature and building debris like this: we just don’t expect to see it faithfully recreated and offered up for our consideration at a flower show. Eds Higgins’ Finding [urban] Nature garden (hereafter, the F[u]N garden, following the designer’s styling) imagined a brownfield community garden as part of the RHS Young Designer Competition. Continue reading “Finding [urban] Nature | RHS Tatton Park’s F[u]N Garden”
I mentioned in an earlier post how much I enjoyed seeing the children’s gardens at Tatton Park. This is why! I’ll let the gardens speak for themselves, pretty much – there were too many lovely touches to point them all out.
To celebrate the tenth anniversary of the competition, five finalists have been invited to create gardens rather than the usual three. This is always one of my favourite parts of RHS Tatton Park Flower Show.
Chris Myers and I were chuffed to bits by the turn of events at The RHS Chatsworth Flower Show last week. We both had good reason. After a slow start (the judges’ Silver Medal theoretically rated it worst in show), the garden he’d designed was validated by the popular vote, being named the one the public loved most. Me? I’d been rooting for it!
Naturalistic plantings were a theme of this year’s show, but his garden was a hymn in praise of wildflowers (or more of a folksong). I enjoyed lingering awhile, listening to the sighs of pleasure as people glimpsed Hay Time In The Dales for the first time and felt its emotional pull. I knew this garden would haunt me, and it already is.
I thought of it when our evening walk took us past a flower-rich hay meadow between Edgworth and the Wayoh Reservoir. Around its peak now, the wildflowers include buttercups, yellow rattle, meadow vetchling, red clover, wild blue lupins, and a blend of grasses. A public information sign beside the meadow explains this patch of land represents what is now one of the rarest habitats in the UK.