When my sweetheart described the woods near the Entwistle reservoir as temperate rainforest, I was taken aback. Rainforest sounds like something you’d have to travel thousands of miles to see rather than walk less than four miles up the road.
Our moist, cool, steamy climate encourages mosses and liverworts, lichens, fungi and ferns to creep over trees and boulders. The Irish sea keeps conditions mild enough for these ancient plants to thrive through summer and winter.
Having grown up scrambling through the wooded valleys of the moors, the Tolkienesque character of this type of landscape is as familiar as the open moorland over the hill. Wild orchids grow further along the path that heads from this spot towards an outcrop of rock called Fairy Battery; follow Cadshaw Brook and you may surprise a fallow deer grazing near Entwistle reservoir. Continue reading “Comparing Lancashire Rainforest With Mississippi Backwater”
While I was in Mississippi, we were passing Suzie Cranston’s house when a ball of energy with a beaming smile bounced out of the driveway, exclaiming “I’m painting them! You must look! And I’m really enjoying it!”
Debie Deaton sculpts with wool, creating colourful, upscale toys and puppets like this little bug. I met her at Mississippi’s Chimneyville Arts Festival earlier in the month and was immediately taken by her lovingly made, character-infused creations. A whole booth of these animated figures, each one unique, but all united by her humorous house style, is a carnival. Continue reading “Playing With Wool”
Apologies to anyone who has a phobia of spiders – this isn’t the start of a series, I promise!
My sweetheart is scared enough of spiders to quiver and let out a loud, high-pitched squeal when he sees one. If a spider imprudently reveals itself indoors, I am called upon to relocate it using an upturned glass and piece of card.
Strangely, some spiders don’t give rise to that instinctive reaction. For instance, he’s developed a nodding acquaintance with a large spider that lives in a corner of my shed. He admires the little, sturdy jumping spiders for their feisty attitude, observing that if you attempt to scare one off, it holds its ground and sticks its front arms up in a boxer-like stance so it seems to be saying “I don’t think so!”.
I’m a fan of Harold Miller, a contemporary sculptor, who works in mixed media with a focus on clay and ceramics. His largest works are staged on 3D surrounds that have more in common with a theatre set than a traditional frame. Heads and figures, often embellished with tin or jewellery, emerge from textural backgrounds made from clay, stone and/or beautifully stained driftwood.
These two smaller figures show Harold’s technique and storytelling ability. The figures look self-contained, but their silence is lyrical. The man above is one in a series of wind figures wearing stylised, windswept cloaks. It’s almost impossible for the viewer not to imagine the story of his life, as if the clay could have its own history.
But when I first saw Harold’s work exhibited at Chimneyville Crafts Festival, it was this lady, captured in prayer, that I admired most. Her slim frame seems vulnerable and she is rapt in her faith. Though she is made of clay, she overflows with humanity. I can’t tell you her story, but I seem to feel the strength of her heart.
When Suzie Cranston’s world was rocked by the death of her son, Peck, a sign saying ‘Peace begins in the garden’ inspired her to create a garden that would celebrate his life.
Beautiful at any time of the year, my sweetheart and I often pause to admire it on walks through our quirky little neighbourhood, Fondren, in Jackson, Mississippi. More than twenty years after starting the garden, Suzie is eager for others to enjoy it as much as she does. She welcomes visitors with a broad smile, pointing out things they may have missed: flowers, garden art, a new birdhouse and, in particular, things that Peck would have loved, such as the tortoises which appear everywhere. Continue reading “Suzie Cranston’s Birdhouse Garden”