Tatton Park is a garden in north-west England that, in normal circumstances, hosts a flower show in July. One of my favourite small gardens in the Back to Back category at last year’s show was created by the garden’s head gardener, Simon Tetlow, and built with the help of local volunteers. Named in honour of the 50th anniversary of The Very Hungry Caterpillar book to help attract children’s attention, it was designed from a bug’s or beetle’s perspective. Continue reading “The Very Hungry Caterpillar Garden (Tatton Park 2019)”
I always look forward to seeing the finalists in the annual Young Designer competition at the RHS Tatton Park Flower Show. This is a detail of Charlie Hartigan’s 1 in 10 garden, voted the People’s Choice for the Best Large Garden. I loved the colour combination and the abundance of traditional cottage garden plants in a contemporary space. Continue reading “1 in 10 Garden by Charlie Hartigan”
This is an outtake from yesterday’s Chalky Pastel Flowers post. Not because it forgot its words or slipped on something, I hasten to add – I decided that it didn’t help my contention. It was too maroon.
Although the band and thin stripes decorating these scalloped bells would have qualified as chalky, and the flowers do pale to a lovely antique pink as they age, there’s more to this story. The ribbed buds, the debonaire green flower ‘caps’, the purple stems and tinges on the foliage, the long bell shape with its parabolic edge… if somebody told me one of these flowers had won a Nobel Prize for something and asked me to guess which one, I’d have no hesitation in pointing to the campanula. Continue reading “Campanula takesimana ‘Elizabeth’”
It’s just my personal taste, but while white flowers such as this double hollyhock entrance me, I’m rarely convinced by white borders. I take in the overall effect, think “Ooh! A classic white border. Perhaps it will be better at its peak?”, then move on.
If you’re the kind of person who smiles to see plants growing in cracks in (someone else’s) walls and pavements, puzzles over vines emerging from nowhere and loves the summer weeks when Buddleias with masses of arching, lilac-like flowers cling on to ‘seemingly every derelict building‘, this one’s for you.
I spoke to Roy Lancaster (a lovely fellow) at the Chelsea Flower Show years ago. Identifying me as a fellow Lancastrian by my accent, he told me how a local quarry’s unusual and diverse range of plants were brought to light when a schoolchild took a bunch of flowers to school for a nature project.
An abandoned area of disturbed land where people rarely tread is as good a home, if you happen to be a rare orchid, as anywhere else. Nature doesn’t have any concept of location, location, location – or at least not in the human way, where a house is worth ten times more in one place than in another.
Plants flower where the seeds happen to fall, if they can. We’ve all seen a tangling of nature and building debris like this: we just don’t expect to see it faithfully recreated and offered up for our consideration at a flower show. Eds Higgins’ Finding [urban] Nature garden (hereafter, the F[u]N garden, following the designer’s styling) imagined a brownfield community garden as part of the RHS Young Designer Competition. Continue reading “Finding [urban] Nature | RHS Tatton Park’s F[u]N Garden”
During the summer, I dedicate more time to taking photos than to sharing them. If you’re a flower stalker too, you’ll understand the temptation. After all, a delphinium waits for no man (or woman), blooming in response to triggers we understand at an abstract level rather than feel happening at a cellular one. It’s somewhere between a pleasure and a frenzy to be in full-on photo gathering mode, so, as September taps on the door, it feels good to slow down and enjoy revisiting summer’s photo stash.