The grand sweep of the double herbaceous borders at Arley Hall Gardens has been delighting gardeners for about two centuries: this is one of the oldest examples of its type to be seen anywhere in the world. Exuberant summer perennials fill long, parallel borders, the garden’s brick wall and formal topiary hedging providing a traditional backdrop.
The Eutierria Show Garden (pronounced you tee air ia), designed by Neil Sutcliffe and built by Creative Roots, drew inspiration from the cliffs of the River Trent. It was part of the mindfulness category of mood-enhancing spaces at RHS Chatsworth that demonstrate how access to nature and our wellbeing are interlinked.
Shade tolerant plants supplied by Miles Nurseries channelled the margins of woodland, but with gardenesque touches. White anemone ‘Ruffled Swan’, bronze ajuga, claret astrantia, blue geranium and a froth of tiny, chartreuse yellow alchemilla mollis flowers provided pops of colour against a green, textural planting of fern, moss, hosta, tiarella and brunnera. Trees and shrubs added architecture. Continue reading “Eutierria Mindfulness Garden at the RHS Chatsworth Flower Show 2019”
I always look forward to seeing the finalists in the annual Young Designer competition at the RHS Tatton Park Flower Show. This is a detail of Charlie Hartigan’s 1 in 10 garden, voted the People’s Choice for the Best Large Garden. I loved the colour combination and the abundance of traditional cottage garden plants in a contemporary space. Continue reading “1 in 10 Garden by Charlie Hartigan”
A 8ft meteor has fallen to earth, coming to rest in a garden. The impact has blackened the fencing, scorched vegetation and reduced trees and shrubs to charred branches.
The path is miraculously unscathed: not quite so old as the meteor, it has been made from a Caledonian boulder formed millions of years ago. Smaller boulders lie around, giving the floor added dimension and creating a lovely backdrop for the silhouettes of low growing plants and twisted embers of wood.
The dark planting scheme glows red hot in places: the chocolate-red cosmos and orange-red helenium firing up the green and pewter foliage, the burnt wood and the futuristic lilacs. This is the Elements Mystique Garden from RHS Hampton Court Flower Show 2018, but the setting would not be out of place in an episode of The Twilight Zone. Continue reading “RHS Hampton Court Flower Show’s Twilight Zone”
Chris Myers and I were chuffed to bits by the turn of events at The RHS Chatsworth Flower Show last week. We both had good reason. After a slow start (the judges’ Silver Medal theoretically rated it worst in show), the garden he’d designed was validated by the popular vote, being named the one the public loved most. Me? I’d been rooting for it!
Naturalistic plantings were a theme of this year’s show, but his garden was a hymn in praise of wildflowers (or more of a folksong). I enjoyed lingering awhile, listening to the sighs of pleasure as people glimpsed Hay Time In The Dales for the first time and felt its emotional pull. I knew this garden would haunt me, and it already is.
I thought of it when our evening walk took us past a flower-rich hay meadow between Edgworth and the Wayoh Reservoir. Around its peak now, the wildflowers include buttercups, yellow rattle, meadow vetchling, red clover, wild blue lupins, and a blend of grasses. A public information sign beside the meadow explains this patch of land represents what is now one of the rarest habitats in the UK.
If every garden (and every human) was the same, the world would be a pitiful place. These very different gardens seem to suit their respective home perfectly. Viewed together, each accentuates the other’s beauty.
The first, a private cottage garden in the grounds of Dorothy Clive Gardens, is super colourful, flower-filled and just a little laissez-faire. Flowers in shades of apricot, yellow and blue gaily tumble over each other above the unifying green, partly obscuring the view from the home and creating a feeling of privacy.
The second garden, Levels Hall in The Lake District, is grand, formal and manicured. Mullioned windows of a centuries-old stately home overlook topiary cones, tall yew hedges and garden benches. A stone urn acts as a centrepiece above a circle of bedding plants. Gravel makes the area pleasant for visitors to stroll through and continues along the same neutral vein as the benches and stone building. Our eyes, naturally alert to colour and variation, find interest in the different greens while noting the feeling of harmony and restraint. Continue reading “Two Styles Of English Garden: Cottage and Formal”