A’net by Brenda Jet was one of the installations we were able to get up close and personal with during our stay at Broomhill Art Hotel and Sculpture Garden in Muddiford, North Devon. The garden is a naturalistic one that runs alongside a stream, through a meadow and in the woodland of a steep-sided valley.
I’ve met many horticulture people I love, admire or both, but few I admire more than Beverly Welch who, together with her husband, Max, owns The Arbor Gate. No matter how many times I visit, I’m always taken by her hospitality, kindness and composure even on one of the busiest days in her calendar.
My sweetheart lectures there, so I don’t claim to be impartial. I’m a fan. It’s my favourite plant centre outside the UK and I suspect there aren’t many better ones in the world. I love wandering around, admiring the plants and marvelling at the garden art while trying to avoid being taken off guard by the Texan sun.
He’s actually lecturing at The Arbor Gate as I write, while I’m back in England, feeling nostalgic and making up for not being there by sharing a much overdue gallery of pictures from my visits over the last few years.
One the plant front, visitors can expect to find roses, perennials, annuals, succulents, trees, shrubs, vines and a big collection of herbs.
Many bottle trees you’ll see – assuming you see bottle trees at all – are stiff. Nothing wrong with that, of course, but Southern folklore metal artist, Stephanie Dwyer, sets hers apart by making them sinuous and twisty, like real trees.
Her iconic bottle tree, part of a series inspired by Hurricane Katrina, channels lone trees all over the world, carved into art forms by the wind on some exposed ridge. It seems to grow out of the turf at the Sack Up Inn, and to nod with respect and resilience to its shadow. Continue reading “Naturalistic Bottle Trees by Stephanie Dwyer”